Biographies of Some of the More Famous Cartographers
We offer below brief biographies of those mapmakers more often encountered. It is our intention to add to these pages on a regular basis, so we hope that you will 'book-mark' them for future reference.The DANCKERTS
The Danckerts family are among the most famous and most prolific of late seventeenth century Dutch map-sellers. The business was established by Cornelis Danckerts II (1603-1656), but achieved real prominence under his son, Justus (1635-1701) and his grandsons, Theodorus (1663-1727) and Cornelis III (1664-1717). Other family members were also involved in the engraving profession, leading to much potential confusion about the publication history of Danckerts maps – especially when one considers that the early Danckerts did not date their maps.
Koeman writes in his Atlantes Neerlandici that, “the grandfather, father and sons were all highly skilled and excellent artistic draftsmen and engravers. Their cartographic work has, compared with that published by the Blaeus or Janssonius, attracted little attention and has never received proper recognition”. The maps from the Danckerts world atlases may be characterised by the lack of verso text, the lack of coats of arms, ornaments and figures, and also their large-scale. In each of these respects they differ from the maps being produced by their contemporaries. However, the maps are always finely engraved and are generally found in attractive original wash colour.
Koeman writes in his Atlantes Neerlandici that, “the grandfather, father and sons were all highly skilled and excellent artistic draftsmen and engravers. Their cartographic work has, compared with that published by the Blaeus or Janssonius, attracted little attention and has never received proper recognition”. The maps from the Danckerts world atlases may be characterised by the lack of verso text, the lack of coats of arms, ornaments and figures, and also their large-scale. In each of these respects they differ from the maps being produced by their contemporaries. However, the maps are always finely engraved and are generally found in attractive original wash colour.
The DONCKERS
Hendrik I (1626-1699) was father to Hendrik II (1664-1739), both of whom were publishers in Amsterdam and were renowned for their maritime works.
Hendrick I published a number of sea atlases and pilots including his “Lichtende Colomne Ofte Zee-Spiegel", the “Zeeatlas Ofte Waterwereldt”, a “Nieuw Groot Stuurmans Zeespiegel”, a “Nieuw Groot Stuurmans Straetsboeck”, a “Nieuwe Groot Europa Wassende Grade Paskaer”t and a “Groote West-Indische Paskaert”. Doncker also published some portolan charts and various pilot guides in condensed form. Although he was competing with others such as Goos, Lootsman and Van Loon at this time, Hendrik achieved a considerable level of success – his work was for the most part original and his attention to detail and the continual up-dating of information on his charts, as that information became available, ensured his reputation.
Perhaps the most important edition of Hendrik’s “Nieuwe Groote Vermeerderde Zeeatlas” was published by his son, Hendrik II c.1705. The sea-atlas was continually being improved and up-dated (having itself grown from the “Lichtende Columne Ofte Zeespiegel”) and enjoyed a long publication life-span. Hendrik II saw the addition of charts with increasing latitudes to the atlas, and published the work in its most complete form.
Source:
I.C.Koeman, Atlantes Neerlandici Volume IV, pp.153-189.
Sir Robert DUDLEY
Sir Robert Dudley (1573-1649) was the illegitimate son of Robert, Earl of Leicester, Queen Elizabeth’s favourite. Among his immediate family were three Grand Admirals of England so it is no surprise that, from a young age, Dudley became interested in matters maritime - particularly navigation. As soon as he was able, he led an expedition to the West Indies, and later commanded part of the British fleet in battle, with no little success.
However, Dudley lost favour at court in pursuit of his father’ s title and left England to settle in Italy where he devoted himself to his maritime studies. He settled at the court of the Dukes of Tuscany and they provided the patronage for his atlas project. He commenced compiling his great sea-atlas, the Del’Arcano Dell Mare; the first sea atlas by an Englishman, the first sea atlas of the whole world, and the first compiled from sea-charts prepared on Mercator’s projection. The maps were engraved by Antonio Francesco Lucini, who took twelve years to complete the work, and are outstanding examples of the finest of Italian engraving and calligraphy. The atlas was published first in 1646-1648, and was re-issued in 1661. Geographically, this was the finest sea-atlas of the seventeenth century, far in advance of any sea-atlas for the next hundred years.
The atlas contained a number of important innovations including the introduction of winds and currents on the charts, an invaluable resource to sailors. Where possible, Dudley also tried to include information on compass declination for important ports and harbours of the world. In his text Dudley greatly clarified, and made practical, the theory and principle of ‘great circle sailing’ - sailing along a great circle as the shortest route between two places. It is this principle that is the basis of modern airline navigation, where often the shortest route between two places can involve flying directly over the Polar caps.
Certainly, the individual charts from the Del’Arcano are notable for the clarity of execution, lack of ornamentation, and the very elaborate lettering.
However, Dudley lost favour at court in pursuit of his father’ s title and left England to settle in Italy where he devoted himself to his maritime studies. He settled at the court of the Dukes of Tuscany and they provided the patronage for his atlas project. He commenced compiling his great sea-atlas, the Del’Arcano Dell Mare; the first sea atlas by an Englishman, the first sea atlas of the whole world, and the first compiled from sea-charts prepared on Mercator’s projection. The maps were engraved by Antonio Francesco Lucini, who took twelve years to complete the work, and are outstanding examples of the finest of Italian engraving and calligraphy. The atlas was published first in 1646-1648, and was re-issued in 1661. Geographically, this was the finest sea-atlas of the seventeenth century, far in advance of any sea-atlas for the next hundred years.
The atlas contained a number of important innovations including the introduction of winds and currents on the charts, an invaluable resource to sailors. Where possible, Dudley also tried to include information on compass declination for important ports and harbours of the world. In his text Dudley greatly clarified, and made practical, the theory and principle of ‘great circle sailing’ - sailing along a great circle as the shortest route between two places. It is this principle that is the basis of modern airline navigation, where often the shortest route between two places can involve flying directly over the Polar caps.
Certainly, the individual charts from the Del’Arcano are notable for the clarity of execution, lack of ornamentation, and the very elaborate lettering.
Michael DRAYTON
Michael Drayton (1563-1631) was an English poet who composed the Poly-Olbion. This was illustrated with one of the most unusual series of county maps ever published. The Poly-Olbion was a series of poems, or songs, extolling the beauties of the English and Welsh countryside, and was first published in 1612.William Hole, who also engraved maps for Camden’s Britannia, was commissioned to provide the maps to illustrate these songs. Drayton states that each map is “lively delineating ... every mountaine, forrest, river and valley; expressing in their sundry pastures; their loves, delights and naturall situations”. Thus, it was clearly the intention to produce allegorical maps showing the natural topographical features of the county. As such very few towns or cities are shown on the maps. Each feature is accompanied by an allegorical figure - hills are shown with shepherds, rivers with water nymphs, islands with goddesses, towns with female figures wearing mural crowns, or crowns alone are used to denote London and royal palaces.
Among these extraordinary maps is one of the Severn estuary, depicting a musical contest between Wales and England to decide the ownership of the island of Lundy; one orchestra with the banner of St. George and the other with that of St. David, with Neptune and two sea monsters. Other maps of particular note are Cornwall and Devon, with Neptune and his mermen mounted on sea monsters, and the map of Oxford, which shows the wedding of two figures who represent Thames and Isis at the junction of the two rivers.
Pierre DU VAL
Pierre Du Val (1619-1683) was one of the most influential and prolific mapmakers and publishers working in Paris in the third quarter of the seventeenth century. He was the nephew of Nicolas Sanson, the leading French mapmaker of the period, and Geographer to the King of France from 1650. He was also responsible for providing maps for other Parisian editors of the period; Jollain, de Fer and Berey amongst others.
The early years of Du Val’s career were devoted to his atlas projects, while later in his career he was to concentrate on separately published, and often multi-sheet, maps. His first atlas was the Cartes Geographiques Methodiquement Divisees published in 1654. This contained only a few of Du Val’s own maps with the others comprising those of Sanson, Briet, Boisseau and even those of the earlier Dutch mapmakers, Mercator, Blaeu, Hondius and Jansson. The atlas was re-issued in 1655 and 1667, and the title was altered to Cartes De Geographie Les Plus Nouvelles Et Les Plus Fideles. These later issues contained more of Du Val’s own maps but were still very much supplemented by the maps of other makers.
Du Val also specialised in producing parlour games, games designed to teach geography and even snakes and ladders! Small sized works also formed part of his output as did geographical tables, genealogies and chronologies. Other early works by Du Val included La Geographie Francoise, La Geographie Universelle, Cartes Pours Les Itineraires and Cartes Des Provinces Eschues A La Reine amongst others.
Du Val dies in 1683 and the business was continued first by his widow Marie Desmaretz and then by his daughters.
The early years of Du Val’s career were devoted to his atlas projects, while later in his career he was to concentrate on separately published, and often multi-sheet, maps. His first atlas was the Cartes Geographiques Methodiquement Divisees published in 1654. This contained only a few of Du Val’s own maps with the others comprising those of Sanson, Briet, Boisseau and even those of the earlier Dutch mapmakers, Mercator, Blaeu, Hondius and Jansson. The atlas was re-issued in 1655 and 1667, and the title was altered to Cartes De Geographie Les Plus Nouvelles Et Les Plus Fideles. These later issues contained more of Du Val’s own maps but were still very much supplemented by the maps of other makers.
Du Val also specialised in producing parlour games, games designed to teach geography and even snakes and ladders! Small sized works also formed part of his output as did geographical tables, genealogies and chronologies. Other early works by Du Val included La Geographie Francoise, La Geographie Universelle, Cartes Pours Les Itineraires and Cartes Des Provinces Eschues A La Reine amongst others.
Du Val dies in 1683 and the business was continued first by his widow Marie Desmaretz and then by his daughters.
The DE L'ISLES
Claude de l’Isle (1644-1720) was a geographer and historian working in Paris, but was overshadowed by his more famous son, Guillaume (1675-1726), who is probably the greatest figure in French cartography. Having learnt geography from his father, it is said that at the age of eight or nine he could draw maps to demonstrate ancient history. He studied mathematics and astronomy under J.D Cassini, where he received the grounding in scientific cartography, that is the hallmark of his work.
His first atlas was published in about 1700, in 1702 he was elected a member of the Academie Royale des Sciences, and in 1718 he became ‘Premier Geographe du Roi’. His maps of the newly explored parts of the world reflect the most up-to-date information available and did not contain fanciful detail in the absence of solid information.
His work was important as marking a transition from the maps of the Dutch school, which were highly decorative and artistically-orientated, to a more scientific approach. Guillaume reduced the importance given to the decorative elements in maps, and emphasised the scientific base on which they were constructed. The modern school of cartography has emerged from this discipline.
De L’Isle also played a prominent part in the recalculation of latitude and longitude, based on the most up-to-date celestial observations. His major contribution was in collating and incorporating this latitudinal and longitudinal information in his maps, setting a new standard of accuracy, quickly followed by many of his contemporaries. Guillaume De L’Isle’s reputation was such that pirated versions appeared in many countries, most particularly by Chatelain and Covens and Mortier.
After his death in 1726 the business was continued by his nephew Philippe Buache, and subsequently by J. Dezauche.
Joseph Nicholas de l’Isle (1688-1768), Guillaume’s brother, became a friend of Peter the Great and supplied him with information on the Russian Empire. He stayed in Russia for twenty-two years and was in charge of the Royal Observatory in St. Petersburg. He returned to France in 1747, taking with him much of the material he had access to, particularly relating to explorations along the northern Pacific coasts of Russia and America, which he subsequently published. The Atlas Russicus was published in 1747 and contained twenty maps.
His first atlas was published in about 1700, in 1702 he was elected a member of the Academie Royale des Sciences, and in 1718 he became ‘Premier Geographe du Roi’. His maps of the newly explored parts of the world reflect the most up-to-date information available and did not contain fanciful detail in the absence of solid information.
His work was important as marking a transition from the maps of the Dutch school, which were highly decorative and artistically-orientated, to a more scientific approach. Guillaume reduced the importance given to the decorative elements in maps, and emphasised the scientific base on which they were constructed. The modern school of cartography has emerged from this discipline.
De L’Isle also played a prominent part in the recalculation of latitude and longitude, based on the most up-to-date celestial observations. His major contribution was in collating and incorporating this latitudinal and longitudinal information in his maps, setting a new standard of accuracy, quickly followed by many of his contemporaries. Guillaume De L’Isle’s reputation was such that pirated versions appeared in many countries, most particularly by Chatelain and Covens and Mortier.
After his death in 1726 the business was continued by his nephew Philippe Buache, and subsequently by J. Dezauche.
Joseph Nicholas de l’Isle (1688-1768), Guillaume’s brother, became a friend of Peter the Great and supplied him with information on the Russian Empire. He stayed in Russia for twenty-two years and was in charge of the Royal Observatory in St. Petersburg. He returned to France in 1747, taking with him much of the material he had access to, particularly relating to explorations along the northern Pacific coasts of Russia and America, which he subsequently published. The Atlas Russicus was published in 1747 and contained twenty maps.